- #Final cut pro x mac requirements update#
- #Final cut pro x mac requirements pro#
- #Final cut pro x mac requirements code#
If you have used FCPX before, it will quickly become apparent to you that the change in experience is subtle. In 10.2 it was located in the middle of the screen near timecode. It now has been relocated to the top, just above the new location for the titles and generators button. Another button they moved is the one to show the background tasks. It has been moved up to the top left near the library sidebar, leaving the bottom left, where it once was, for effects and transitions. A good example of this where they moved the titles and generators button. Apple moved a few buttons around and put them near other tools for better access and workflow. The first thing we noticed is the interface is now more contemporary and flat.
#Final cut pro x mac requirements update#
It’s not going to change your workflow much, if at all, but the update does improve things that were weak before.
#Final cut pro x mac requirements pro#
We had lots of time with the prior release of Final Cut Pro X, version 10.2, and although there are some good and needed updates in 10.3, they aren’t revolutionary. Is the Touch Bar function in FCPX worth buying a new computer? No, but if you need a new computer and you get the new MacBook Pro, you will benefit from its usefulness. The best looking option and a very useful tool is the ability to view your project at a glance and navigate in the timeline all using just the Touch Bar. It can do things like executing common functions such as volume control, fade in and out and media import, and it gives you easier access to advanced editing commands like trim to start or trim to end. How the Touch Bar works with this update is both fun and helpful. The Touch Bar replaces the function keys on the top of the keyboard with a touch bar that can be customized depending on what you are doing.
We were excited to get to try out the Touch Bar on new MacBook Pro using FCPX. Plus, keyboard shortcuts can be customized for adding audio fades. First, instead of having to re-link each file one at a time, a batch re-link can now be made from RED. Lastly, let’s look at some more general changes included in Final Cut Pro X 10.3 update. Our favorite color-related update is that the video scopes now display Wide Color in real time, allowing you to make color adjustments more quickly. Plus, if you need to worry about broadcast safe video levels, there is now an effect to apply for those same color spaces.įinal Cut can also manipulate many camera’s LOG footage in real time, all while preserving their Wide Color. FCPX is now able to import, edit and deliver video in standards Rec. The color has been updated to what they’re calling Wide Color, meaning that instead of the typical RGB color space, the program now offers P3 color touting 25% more color than RGB. Our favorite new timeline update is that you can now add audio effects and keyframe volume to an entire role within a compound clip.
#Final cut pro x mac requirements code#
The magnetic timeline has also seen some modifications, like the ability to color code roles for organization, and within the Index, you can now drag and drop audio roles, highlight them and collapse others. The new update offers a new, redesigned interface with options to configure a custom workspace and fill a second display with the timeline or hide it completely. The other main editing programs competing with FCPX are Adobe Premiere Pro CC, Magix Vegas Pro and Avid Media Composer, and because of FCPX’s low price, it’s also in competition with more affordable options such as Pinnacle Studio. That should please those who already use FCPX and help those who are looking for an editing program.
Launched on October 27, 2016, 10.3’s new features and updates were many but not very drastic. With the release of 10.3, Apple continues to improve FCPX while still keeping the contrast it has with its competition. With that said, Final Cut Pro X has changed alot since its launch, and it isn’t as drastically different from other editors as it originally was.
Those still around have accepted that it’s a different kind of tool that has just as many strengths as other powerful editors but works in a different way. But for some, when they left it behind, it wasn’t because the program was bad but because they chose not to learn a new way to edit. However, those that stayed seem to be true believers of its original intent - to be a game changer. For many video professionals, it was too big a change, causing them to leave Final Cut Pro for another editor. Apple, over the last five years, has slowly pulled itself out of the hole dug by the original release of FCPX.
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